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(no date)
Gelatin silver print with hand-applied ink
From the series “Nakazora”
Signed, titled, dated, and editioned, with artist stamp, in ink, au verso
Edition of 40 (#7/40)
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Yamamoto Masao studied painting before he chose gelatin silver prints as his media. The first gallery show in 1994 at Shapiro Gallery, San Francisco and a solo exhibition at Yancey Richardson Gallery, New York in 1996 led to many other gallery shows in the U.S. Since 2006, he has been actively showing at galleries and museums in Europe, Japan, Russia, and Brazil. Media coverage includes NY Times and other major art magazines. Yamamoto lives in Yatsugatake Nanroku, Yamanashi Prefecture where he enjoys creating his work while being close to nature.
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Artist CV (PDF)
Artist Bio (PDF)
- Yamamoto Masao – Microcosms Macrocosms, The Eye Of Photography, 2018
Visual Haiku, Lens Culture, 2018
Review: Dreamy visions of world unite 2 very different photographers, The Atlanta Journal- Constitution, 2015
(no date)
Gelatin silver print with hand-applied ink
From the series “Nakazora”
Signed, titled, dated, and editioned, with artist stamp, in ink, au verso
Edition of 40 (#7/40)
Yamamoto Masao studied painting before he chose gelatin silver prints as his media. The first gallery show in 1994 at Shapiro Gallery, San Francisco and a solo exhibition at Yancey Richardson Gallery, New York in 1996 led to many other gallery shows in the U.S. Since 2006, he has been actively showing at galleries and museums in Europe, Japan, Russia, and Brazil. Media coverage includes NY Times and other major art magazines. Yamamoto lives in Yatsugatake Nanroku, Yamanashi Prefecture where he enjoys creating his work while being close to nature.
Artist Bio (PDF)
Visual Haiku, Lens Culture, 2018
Review: Dreamy visions of world unite 2 very different photographers, The Atlanta Journal- Constitution, 2015