Masjed-e Jamé Mosaic, Isfahan, Iran, 841Online Sale

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• Artwork Info
• About the Artist
• Artist Docs
• Artist News

• 2016
  Pigment print on archival paper flush mounted to archival board
  Signed, dated, and editioned, in ink, au mount verso
  Printed in 2016
  Edition of 3

• Sanaz Mazinani is an artist, curator, and educator based in San Francisco and Toronto. She holds her undergraduate degree from Ontario College of Art & Design University and her MFA from Stanford University.

  Her work explores the relationship between perception and representation by drawing on concepts such as censorship, scale, and the body as a site of action or violence. Working primarily in photography and large-scale photo-based installations, her practice intersects conceptual and formal boundaries of the photographic image in response to site, sight, and insight, especially in relation to digital culture. 
  

• Artist CV  (PDF)
  Artist Bio  (PDF)
  Conference of the Birds Statement (PDF)
  Imminent Infinite Statement (PDF)
  

• Windows On The World (PDF) – SF Weekly, March 2017 

  Crossing a Cultural Divide: The Art of Sanaz Mazinani (PDF) – Design: A Beginners Handbook, February 2017

  Immigrant memories inspired these siblings’ art collab — then the travel ban nearly tore them apart (PDF) – CBC, February 2017

  Mirror Image (PDF) – The Source, April 2016 

  Sanaz Mazinani and The Found Image (PDF) – Tussle, March 2016 

  Seeing Fractured Explosions in Fragmented Mirrors (PDF) – Hyperallergic, May 2015

  Sanaz Mazinani (PDF) – Artforum, September 2014

  The 5×5 Site Specific Project (PDF) – Flash Art, September 2014 

  New York Gallery Beat: 6 Critics Review 18 Shows (PDF) – Artnet News, May 2014 

  In Sanaz Mazinani’s Collages, Photographs Lie, Beautifully (PDF) – Artsy, April 2014

  Sanaz Mazinani Warps War Photography Into Kaleidoscopic Collages (PDF) – Vice: Creators, April 2014 

  Site, Sight, and Insight (PDF) – Gallery 44, April 2013 

  Sanaz Mazinani (PDF) – Border Crossings, 2012

  Frames of The Visible (PDF) – David Fresco

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